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The Other Woman (愛與親愛的)

Playing the other woman in “The Other Woman” is an uncomfortable fit for Natalie Portman.
2011/5/16
Beastly (野獸情人)

“Beastly” is just as superficial and obsessed with looks as the characters and the mindset it rails against, which would seem like a bitter, frustrating irony if it merited the emotional reaction to care that much.
2011/5/13
A Chinese Ghost Story 2011 (倩女幽魂2011)

A remake of Tsui Hark's (徐克) classic 1987 film starring the late Leslie Cheung (張國榮), “A Chinese Ghost Story 2011” (倩女幽魂) shifts the focus to a supporting character in an attempt to retell an oft-told tale. Alas, it was to no avail and despite the remake's multi-million dollar budget, it's still a poor man's version of the original.
2011/5/6
Honey Pupu (消失打看)

“Honey Pupu” (消失打看) is a meditation on the transience of things and a girl's search for her boyfriend who disappeared on New Year's Eve without a trace.
2011/4/29
Water for Elephants (大象的眼淚)

There are times you should just keep on ignoring the elephant in the room.
2011/4/29
In a Better World (更好的世界)

How do we react to the presence of evil and injustice when, as an adult or a child, it intrudes on our world?
2011/4/22
The Lincoln Lawyer (下流正義)

Matthew McConaughey stars in “The Lincoln Lawyer” as an attorney who drives around Los Angeles ... in a Lincoln. It has nothing to do with the capital of Nebraska or the former president. While you're watching it, though, you'll wish it did.
2011/4/22
Great Day (天天好天)

Malaysian director Chiu Keng Guan's (周青元) second feature film, “Great Day” (天天好天) is a comedy about two uncles living in a retirement home in the middle of a paddy field.
2011/4/15
Barney's Version (巴尼正傳)

Paul Giamatti doesn't spring right to mind as the guy to play the title character of Mordecai Richler's sardonically funny and bitterly sad novel “Barney's Version.”
2011/4/15
Biutiful (最後的美麗)

Those concerned that a 2 1/2 hour movie titled “Biutiful” might bear some of the attributes typically characterized as “pretentious” will not be reassured by the opening, whispered dialogue, with the camera trained only on two sets of intertwined hands, and the subsequent scene in which an unknown figure informs that when owls die, “they spit hairballs out of their beaks.”
2011/4/15
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