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The Human Resources Manager (人命派遣經理)

Both geographically and dramatically, "The Human Resources Manager" covers a lot of territory.
Mao's Last Dancer (末代舞者)

Based on the autobiography of the same name, "Mao's Last Dancer" (末代舞者) is the biopic of Li Cunxin (李存信), who at the age of 11 was plucked from his impoverished village in northwestern China to study ballet in the capital.
Animal Kingdom (生存法則)

We know we are in for a different kind of family values early in "Animal Kingdom" -- right off the top, actually, as we watch a teenager sitting next to his passed-out mother on the couch while some inane game show blares on the television in the background.
My Name Is Khan (我的名字叫可汗)

Bollywood storytelling, in all of its butt-numbing glory, is much in evidence in "My Name is Khan," an India-to-America odyssey with a "How Others See Us" message.
The Other Woman (愛與親愛的)

Playing the other woman in "The Other Woman" is an uncomfortable fit for Natalie Portman.
Beastly (野獸情人)

"Beastly" is just as superficial and obsessed with looks as the characters and the mindset it rails against, which would seem like a bitter, frustrating irony if it merited the emotional reaction to care that much.
A Chinese Ghost Story 2011 (倩女幽魂2011)

A remake of Tsui Hark's (徐克) classic 1987 film starring the late Leslie Cheung (張國榮), "A Chinese Ghost Story 2011" (倩女幽魂) shifts the focus to a supporting character in an attempt to retell an oft-told tale. Alas, it was to no avail and despite the remake's multi-million dollar budget, it's still a poor man's version of the original.
Honey Pupu (消失打看)

"Honey Pupu" (消失打看) is a meditation on the transience of things and a girl's search for her boyfriend who disappeared on New Year's Eve without a trace.
Water for Elephants (大象的眼淚)

There are times you should just keep on ignoring the elephant in the room.
In a Better World (更好的世界)

How do we react to the presence of evil and injustice when, as an adult or a child, it intrudes on our world?
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