Taymor alleges 'Spider-Man' web of conspiracy
By Mark Kennedy, APNEW YORK--Director Julie Taymor has hit back at her former creative partners in “Spider-Man: Turn off the Dark,” arguing in court papers that she was the victim of a conspiracy to unfairly push her out of the production.
March 4, 2012, 12:01 am TWN
Taymor's legal team on Friday defended the Tony Award winner against a countersuit from producers, the latest installment in their bitter legal battle over financial rewards for Broadway's most expensive show.
“While secretly conspiring to oust Taymor and use and change her work without pay, the producers also fraudulently induced Taymor to continue working and to diligently make improvements,” her team alleges.
Taymor, who was the original “Spider-Man” director and co-book writer, was fired in March after years of delays, accidents and critical backlash. The show, which features music by U2's Bono and The Edge, opened in November 2010 but spent months in previews before officially opening a few days after the Tony Awards in June. It has become a financial hit at the box office.
In November, Taymor slapped the producers — led by Michael Cohl and Jeremiah J. Harris — as well as Glen Berger, her former co-book writer, with a copyright infringement lawsuit, alleging they violated her creative rights and haven't compensated her for the work she put into the US$75 million show. In January, the producers' filed a counterclaim asserting the copyright claims are baseless. The latest salvo is Taymor's team responding to that counterclaim.
Producers for “Spider-Man” “will have no further comment on the matter at this time,” show spokesman Rick Miramontez wrote in an email Friday.
In the legal filing, Taymor claims she was ousted not because she wasn't willing to cooperate with changes but simply to appease investors, sway critics to the idea that the show was being fixed, bilk her of royalties and “mask the producers' own failures.”
The document says she was fired during a lunch meeting at The Lamb's Club by the producers, Bono and The Edge. Playwright Roberto Aguirre-Sacasa was hired to work on the book and Philip William McKinley stepped in to direct.
The filing quotes from emails between her and the producers, Berger and Bono and The Edge, painting a picture of a creative team very supportive of Taymor's direction and vision. She also claims she had no part in the accidents that injured actors and embarrassed the production.
The filing describes a behind-the-scenes atmosphere that was secretive and slightly paranoid. Taymor alleges that Berger was told to quietly work on changes to the story without Taymor's knowledge — called “Plan X” — that in an email Berger complained led him to lead a “double life” — both working with and against Taymor.