Irene forces 'Chicago' to tie for 4th longest-running show on Broadway
By Mark Kennedy, AP
August 28, 2011, 9:06 pm TWN
NEW YORK--The threat of Hurricane Irene didn't stop the cast and crew of the musical “Chicago” from celebrating a Broadway milestone Friday night with cake and a very big knife.
At a small backstage party at intermission, the show marked its 6,137th performance — tying “A Chorus Line” for the fourth longest-running show in Broadway history.
A loud cheer went up when Christopher Sieber, who stars as Billy Flynn, toasted the cast with non-alcoholic champagne in the wardrobe room at the Ambassador Theatre.
Bebe Neuwirth, who played Velma Kelly back when the revival began its near-15-year streak, then plunged a large knife into a vanilla sheet cake decorated with a classic “Chicago” image of a sexy murderess.
“Nice, Bebe, nice!” roared a member of the ensemble. Then Neuwirth, Sieber, Charlotte d'Amboise (a veteran Roxie Hart) and Nikka Graff Lanzarone, the current Velma, cut slices of the cake and passed them around on blood red plates with red plastic forks.
The next performance of the John Kander and Fred Ebb musical will give it sole possession of the fourth-place spot.
Because of Irene, that performance has been pushed back to Monday night.
When it finally leaps over “A Chorus Line,” “Chicago” will also become the longest-running American show in Broadway history. Ahead of it are “The Phantom of the Opera,” “Cats” and “Les Miserables,” all British imports.
“What it says to me is that it stands the test of time,” said Carol Woods, who has played Matron “Mama” Morton in the show for over a decade. “People will always come and be entertained.”
Set in the 1920s, “Chicago” is a scathing satire of how show business and the media make celebrities out of criminals. It has Bob Fosse-inspired choreography, skimpy outfits and killer songs such as “All That Jazz,” “Cell Block Tango” and “Mr. Cellophane.”
“If anyone had told me it would be around for almost 15 years, I would have laughed at them,” said Donna Marie Asbury, who has been playing June since 1999. “The material is just so good and the team is so wonderful. It's been an amazing ride.”
The vaudeville-flecked revival, which began performances on Oct. 23, 1996, snagged six Tony Awards — including for best musical revival — and a Grammy Award. Since then, it has been performed in 30 countries and been translated into 12 languages. More than 10 million people are believed to have seen the show.
Another reason the revival has managed to last is the decision to cast celebrity replacements in lead spots — basically asking famous performers to join a show about the venality of celebrities.
Just some of the stars who have done stints in the show include Sofia Vergara, Melanie Griffith, Brooke Shields, Ashlee Simpson, Paige Davis, Marilu Henner, Rita Wilson, Usher, Huey Lewis, Michael C. Hall, Jerry Springer, Billy Zane and Christie Brinkley.
Even a 2002 film version starring Renee Zellweger, Catherine Zeta-Jones, Queen Latifah and Richard Gere didn't dampen ticket sales. In fact, the box office boomed for years as interest increased, thanks to national attention and advertising.
For Leslie Stifelman, the musical director who has been on board since its early days in 1996, the secret to the success of “Chicago” is about recreating that first night's excitement.
“People in the theater talk about a 'magic time.' This show has been consistently about capturing that — in its style and beauty and sound. Every night, we reinvent that magic.”
In this Nov. 14, 2006 file photo, choreographer Ann Reinking, left, and Bebe Neuwirth perform during a dress rehearsal for the 10th Anniversary of “Chicago” in New York. The ...