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Press applauds Cate Blanchett for Sydney theater show

SYDNEY -- Oscar-winning actress Cate Blanchett has won praise for her sensitive direction of a Sydney Theater Company drama dealing with the controversial issue of child sexual abuse.

Blanchett, who will take over co-directorship of the country’s biggest theater company with her playwright husband Andrew Upton next week, directed Thursday’s opening of Scottish playwright David Harrower’s “Blackbird.”

The play, which deals with a sexual relationship between an underage girl and a middle-aged man, was directed with “a great sensitivity for the rhythms and silences of Harrower’s spare, fragmented but theatrically poetic dialogue,” critic John McCallum wrote in The Australian.

“It is Blanchett’s second stint in the director’s chair and she shows a sure touch for the subtleties of a humanly complex dramatic situation,” he said.

Sydney Morning Herald reviewer Bryce Hallett said “Cate Blanchett’s assured production draws strong and gripping performances.”

“Blanchett’s spare, intelligent staging stimulates thoughts about the nature of care and abuse and, moreover, perception about pedophilia,” Hallett wrote in Saturday’s newspaper.

Blanchett had said she wanted the play to inspire “discussion, debate, controversy and disgust.”

“It definitely knocks on the doors of one’s taboos and demands to be let in,” she told Sydney’s Sun-Herald earlier this month. “I can’t wait to put it in front of audiences.”

Blanchett’s directorial debut was with Harold Pinter’s ‘A Kind of Alaska’ at the Sydney Theater Company in late 2006 — just weeks after her appointment was announced.

The appointment of the actress who has received critical acclaim for silver screen roles as diverse as Queen Elizabeth and Bob Dylan has raised questions in Sydney’s theater industry due to her relative inexperience as a director.

One actor quit the prestigious troupe, saying “an Oscar for acting is not a suitable recommendation to run the biggest theater company in the country”.

But Blanchett has said she was unworried by such criticism.

“You don’t want to be surrounded by yeah-sayers... that creates a monoculture and would be the death of theater,” she said.

“If it wasn’t me, I don’t think anyone would really have noticed.”

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